Jahr, Sieger, Land. · Portugal, Portugal. · Spanien, Spanien. · Spanien, Spanien. · Griechenland, Griechenland. · Frankreich. EM - Otto Rehhagel jubelt über den Titel Das gegen Gastgeber Portugal in der Vorrunde war der erste EM -Sieg einer griechischen Nationalmannschaft überhaupt. Der Titel war auch EM - Sieger im eigenen Land | mehr. Auflistung aller bisherigen Titelträger der Europameisterschaft und Finalgegner inklusive einer Darstellung wie oft ein Verein den Titel gewonnen hat oder.
Alle EuropameisterWer hat bereits im EM-Finale gestanden und die Europameisterschaft gewonnen? Hier finden Sie die EM-Endspiele seit sowie alle Sieger. Die portugiesische Fußballnationalmannschaft der Männer ist eine Auswahl von portugiesischen Fußballspielern, die den portugiesischen Fußballverband auf internationaler Ebene bei Freundschaftsspielen und internationalen Turnieren repräsentiert. Auflistung aller bisherigen Titelträger der Europameisterschaft und Finalgegner inklusive einer Darstellung wie oft ein Verein den Titel gewonnen hat oder.
Em Sieger Kontakt osoba: VideoPhilipp Häfeli 4man Turnier Em Titel Sieger
I can still hear those haunting melodies drift over the ball park. For the Seegers, experiencing the beauty of this music firsthand was a "conversion experience".
Pete was deeply affected and, after learning basic strokes from Lunsford, spent much of the next four years trying to master the five-string banjo.
Benton, a lover of Americana, played "Cindy" and " Old Joe Clark " with his students Charlie and Jackson Pollock ; friends from the "hillbilly" recording industry; as well as avant-garde composers Carl Ruggles and Henry Cowell.
It was at one of Benton's parties that Pete heard " John Henry " for the first time. Seeger enrolled at Harvard College on a partial scholarship, but as he became increasingly involved with politics and folk music, his grades suffered and he lost his scholarship.
He dropped out of college in His first musical gig was leading students in folk singing at the Dalton School , where his aunt was principal.
He polished his performance skills during a summer stint of touring New York State with The Vagabond Puppeteers Jerry Oberwager, 22; Mary Wallace, 22; and Harriet Holtzman, 23 , a traveling puppet theater "inspired by rural education campaigns of post-revolutionary Mexico".
The group reprised its act in October in New York City. An article in the October 2, , Daily Worker reported on the Puppeteers' six-week tour this way:.
During the entire trip the group never ate once in a restaurant. They slept out at night under the stars and cooked their own meals in the open, very often they were the guests of farmers.
At rural affairs and union meetings, the farm women would bring "suppers" and would vie with each other to see who could feed the troupe most, and after the affair the farmers would have earnest discussions about who would have the honor of taking them home for the night.
In the farmers' homes they talked about politics and the farmers' problems, about antisemitism and Unionism, about war and peace and social security — "and always," the puppeteers report, "the farmers wanted to know what can be done to create a stronger unity between themselves and city workers.
They felt the need of this more strongly than ever before, and the support of the CIO in their milk strike has given them a new understanding and a new respect for the power that lies in solidarity.
One summer has convinced us that a minimum of organized effort on the part of city organizations—unions, consumers' bodies, the American Labor Party and similar groups—can not only reach the farmers but weld them into a pretty solid front with city folks that will be one of the best guarantees for progress.
That fall, Seeger took a job in Washington, D. Seeger's job was to help Lomax sift through commercial " race " and " hillbilly " music and select recordings that best represented American folk music, a project funded by the music division of the Pan American Union later the Organization of American States , of whose music division his father, Charles Seeger, was head — Back Where I Come From was unique in having a racially-integrated cast.
During the war , Seeger also performed on nationwide radio broadcasts by Norman Corwin. From , Seeger served in the Army , as an Entertainment Specialist.
Seeger and the Almanacs cut several albums of 78s on Keynote and other labels, Songs for John Doe recorded in late February or March and released in May , the Talking Union , and an album each of sea shanties and pioneer songs.
It contained lines such as, "It wouldn't be much thrill to die for Du Pont in Brazil," that were sharply critical of Roosevelt 's unprecedented peacetime draft enacted in September Seeger has said he believed this line of argument at the time — as did many fellow members of the Young Communist League YCL.
Though nominally members of the Popular Front , which was allied with Roosevelt and more moderate liberals, the YCL's members still smarted from Roosevelt and Churchill 's arms embargo to Loyalist Spain which Roosevelt later called a mistake ,  and the alliance frayed in the confusing welter of events.
A June 16, , review in Time magazine, which under its owner, Henry Luce , had become very interventionist, denounced the Almanacs' John Doe , accusing it of scrupulously echoing what it called "the mendacious Moscow tune" that "Franklin Roosevelt is leading an unwilling people into a J.
Morgan war. More alarmist was the reaction of eminent German-born Harvard Professor of Government Carl Joachim Friedrich , an adviser on domestic propaganda to the United States military.
While the U. Despite the boom in manufacturing this concerted rearming effort brought, African-Americans were barred from working in defense plants.
Racial tensions rose as Black labor leaders such as A. Philip Randolph and Bayard Rustin and their white allies began organizing protests and marches.
The order came three days after Hitler broke the non-aggression pact and invaded the Soviet Union, at which time the Communist Party quickly directed its members to get behind the draft and forbade participation in strikes for the duration of the war — angering some leftists.
Copies of Songs for John Doe were removed from sale, and the remaining inventory destroyed, though a few copies may exist in the hands of private collectors.
The following year, the Almanacs issued Dear Mr. President , an album in support of Roosevelt and the war effort.
The title song, "Dear Mr. President", was a solo by Pete Seeger, and its lines expressed his lifelong credo:. Now, Mr. President, We haven't always agreed in the past, I know, But that ain't at all important now.
What is important is what we got to do, We got to lick Mr. Hitler, and until we do, Other things can wait.
Now, as I think of our great land I know it ain't perfect, but it will be someday, Just give us a little time. This is the reason that I want to fight, Not 'cause everything's perfect, or everything's right.
No, it's just the opposite: I'm fightin' because I want a better America, and better laws, And better homes, and jobs, and schools, And no more Jim Crow, and no more rules like "You can't ride on this train 'cause you're a Negro," "You can't live here 'cause you're a Jew," "You can't work here 'cause you're a union man.
President, We got this one big job to do That's lick Mr. Hitler and when we're through, Let no one else ever take his place To trample down the human race.
So what I want is you to give me a gun So we can hurry up and get the job done. Seeger's critics, however, continued to bring up the Almanacs' repudiated Songs for John Doe.
In , a year after the John Doe album's brief appearance and disappearance , the FBI decided that the now-pro-war Almanacs were still endangering the war effort by subverting recruitment.
Jackson , Vice President of Time magazine, had founded " Seeger served in the U. Army in the Pacific. He was trained as an airplane mechanic, but was reassigned to entertain the American troops with music.
Later, when people asked him what he did in the war, he always answered: "I strummed my banjo. Wallace , who ran as a third-party candidate on the Progressive Party ticket.
Despite having attracted enormous crowds nationwide, however, Wallace won only in New York City, and following the election, he was excoriated for accepting the help in his campaign of Communists and fellow travelers, such as Seeger and singer Paul Robeson.
Seeger had been a fervent supporter of the Republican forces in the Spanish Civil War. On the other side was a reissue of the legendary Six Songs for Democracy originally recorded in Barcelona in while bombs were falling , performed by Ernst Busch and a chorus of members of the Thälmann Battalion , made up of volunteers from Germany.
As a self-described "split tenor" between a tenor and a countertenor ,  Pete Seeger was a founding member of two highly influential folk groups: the Almanac Singers and the Weavers.
The Almanac Singers, which Seeger co-founded in with Millard Lampell and Arkansas singer and activist Lee Hays , was a topical group, designed to function as a singing newspaper promoting the industrial unionization movement,  racial and religious inclusion, and other progressive causes.
As a controversial Almanac singer, the year-old Seeger performed under the stage name "Pete Bowers" to avoid compromising his father's government career.
In , the Almanacs were reconstituted as the Weavers, named after the title of an play by Gerhart Hauptmann , about a workers' strike which contained the lines, "We'll stand it no more, come what may!
They did benefits for strikers, at which they sang songs such as 'Talking Union', about the struggles for unionisation of industrial workers such as miners and auto mobile workers.
In the atmosphere of the s red scare, the Weavers' repertoire had to be less overtly topical than that of the Almanacs had been, and its progressive message was couched in indirect language — arguably rendering it even more powerful.
The Weavers on occasion performed in tuxedos unlike the Almanacs, who had dressed informally and their managers refused to let them perform at political venues.
The Weavers' string of major hits began with " On Top of Old Smoky " and an arrangement of Lead Belly 's signature waltz, " Goodnight, Irene ",  which topped the charts for 13 weeks in  and was covered by many other pop singers.
The Weavers' performing career was abruptly derailed in , at the peak of their popularity, when blacklisting prompted radio stations to refuse to play their records and all their bookings were canceled.
They briefly returned to the stage, however, at a sold-out reunion at Carnegie Hall in and in a subsequent reunion tour , which produced a hit version of Merle Travis 's " Sixteen Tons ", as well as LPs of their concert performances.
In the late s, the Kingston Trio was formed in direct imitation of and homage to the Weavers, covering much of the latter's repertoire, though with a more buttoned-down, uncontroversial, and mainstream collegiate persona.
The Kingston Trio produced another phenomenal succession of Billboard chart hits and in its turn spawned a legion of imitators, laying the groundwork for the s commercial folk revival.
In the documentary film Pete Seeger: The Power of Song , Seeger states that he resigned from the Weavers when the three other band members agreed to perform a jingle for a cigarette commercial.
In , Seeger wrote the first version of his now-classic How to Play the Five-String Banjo , a book that many banjo players credit with starting them off on the instrument.
He went on to invent the Long Neck or Seeger banjo. This instrument is three frets longer than a typical banjo, is slightly longer than a bass guitar at 25 frets, and is tuned a minor third lower than the normal 5-string banjo.
Hitherto strictly limited to the Appalachian region, [ citation needed ] the five-string banjo became known nationwide as the American folk instrument par excellence, largely thanks to Seeger's championing of and improvements to it.
According to an unnamed musician quoted in David King Dunaway 's biography, "by nesting a resonant chord between two precise notes, a melody note and a chiming note on the fifth string", Pete Seeger "gentrified" the more percussive traditional Appalachian "frailing" style, "with its vigorous hammering of the forearm and its percussive rapping of the fingernail on the banjo head.
From the late s on, Seeger also accompanied himself on the string guitar , an instrument of Mexican origin that had been associated with Lead Belly , who had styled himself "the King of the String Guitar".
Seeger's distinctive custom-made guitars had a triangular soundhole. He combined the long scale length approximately 28" and capo-to-key techniques that he favored on the banjo with a variant of drop-D DADGBE tuning , tuned two whole steps down with very heavy strings, which he played with thumb and finger picks.
In , then "Peter" Seeger see film credits and his wife, Toshi, traveled to Port of Spain, Trinidad , to seek out information on the steelpan , steel drum or "ping-pong" as it was sometimes called.
The two searched out a local panyard director Isaiah and proceeded to film the construction, tuning and playing of the then new, national instrument of Trinidad-Tobago.
He was attempting to include the unique flavor of the steel pan into American Folk music. In the s and indeed consistently throughout his life, Seeger continued his support of civil and labor rights, racial equality, international understanding, and anti-militarism all of which had characterized the Wallace campaign and he continued to believe that songs could help people achieve these goals.
However, with the ever-growing revelations of Joseph Stalin 's atrocities and the Hungarian Revolution of , he became increasingly disillusioned with Soviet Communism.
He left the CPUSA in , but remained friends with some who did not leave it, although he argued with them about it. Alone among the many witnesses after the conviction and imprisonment of the Hollywood Ten for contempt of Congress, Seeger refused to plead the Fifth Amendment which would have asserted that his testimony might be self-incriminating and instead, as the Hollywood Ten had done, refused to name personal and political associations on the grounds that this would violate his First Amendment rights: "I am not going to answer any questions as to my association, my philosophical or religious beliefs or my political beliefs, or how I voted in any election, or any of these private affairs.
I think these are very improper questions for any American to be asked, especially under such compulsion as this. He was convicted in a jury trial of contempt of Congress in March , and sentenced to ten 1-year terms in jail to be served simultaneously , but in May , an appeals court ruled the indictment to be flawed and overturned his conviction.
In , the San Diego school board told him that he could not play a scheduled concert at a high school unless he signed an oath pledging that the concert would not be used to promote a communist agenda or an overthrow of the government.
Seeger refused, and the American Civil Liberties Union obtained an injunction against the school district, allowing the concert to go on as scheduled.
Almost 50 years later, in February , the San Diego School District officially extended an apology to Seeger for the actions of their predecessors.
To earn money during the blacklist period of the late s and early s, Seeger worked gigs as a music teacher in schools and summer camps, and traveled the college campus circuit.
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